SHERIDAN LIBRARY

ART COLLECTION

Arapahoe Libraries is proud to display artwork at each of its' locations. Learn about some of the artists on view now at Sheridan Library.

Sheridan Art Collection Carousel

Emilia Markovich

"Tangled Narrative I-VIII" by Emilia Markovich, Pastel and Acrylic on Wood Panel, Howard, CO

Craig Robb

"The Inexhaustible Source of Wonder" by Craig Robb, Wood, Acrylic and Dictionary Pages, Wheat Ridge, CO

Leilani Derr

Left to right "Off Leash, Early Study, Golden Study, Joshua Tree Study" by Leilani Derr, Digital Illustration, Boulder, CO

Leilani Derr

"Alley Couch Study" by Leilani Derr, Digital Illustration, Boulder, CO

JESSIE BELISLE

ROCKIES

ARTIST BIO

Jessie Bélisle is a contemporary visual artist originally from Saint-Jean-sur-Richelieu, Québec, now living and working in Denver, Colorado. Her artistic journey began in 2011 in Montréal, where she first merged her professional background in optics with a growing passion for the visual arts.
Her paintings reflect a contemplative exploration of light, form, and atmosphere—often blurring the boundaries between what is seen and what is felt. Her evolving practice has led to collaborations with multiple curators across Colorado and California, and in 2024, she partnered with the Colorado Avalanche for a special Women's History Month initiative.

Jessie has exhibited throughout Canada and the United States and has been featured in several publications highlighting her distinctive artistic voice and contributions to contemporary art.

ARTIST STATEMENT

My practice moves between the atmospheric and the abstract—between the vast, grounding presence of the Colorado Rockies and the intuitive freedom of gesture, shape, and color. I am drawn equally to the landscape’s external contours and to the internal terrain of perception and emotion.

In my landscape work, I reduce natural forms to their essential rhythms—bright, layered bands of color that reflect the raw, majestic energy of the mountains. These works are meditations on place, light, and memory, aiming to capture not just what the eye sees, but how the land feels.

Alongside these grounded landscapes, I continue to explore abstraction as a means of accessing the unseen: fluid, organic compositions that emerge through a more improvisational process. These paintings allow me to investigate intuition, energy, and movement with fewer constraints, creating portals into the imaginative and the subconscious.

Whether working with landscape or abstraction, my goal is the same: to distill experience into visual clarity, where color becomes both a structure and a sensation.

"Rockies" by Jessie Belisle, Spray Paint and Acrylics

MARK BUENO

ROUND SERIES

ARTIST BIO

Mark Bueno was born in San Antonio, Texas 1975. He received a Bachelor in Fine Art and Art History at the University of Texas at San Antonio. Mark Bueno lives in Denver, Colorado and contributes to the contemporary art scene nationally.

ARTIST STATEMENT

I use an array of visual references, mediums, and techniques to materialize my interruptions of the human experience. Generally, my work addresses subjects like the perceptions of beauty within the mundane, identity or lack of, subcultures within pop culture, mythology, spirituality, the paranormal, and comic relief. By using bold color and complex compositions, my work communicates exuberance for life. The work often reflects my ability to connect with others and my passion to fuse art with social events, live performances, and public spaces.

"Round Series" by Mark Bueno, Spray Paint on Wood with Clear Lacquer Finish, Arvada, CO

LEILANI DERR

ALLEY COUCH STUDY, OFF LEASH, EARLY STUDY, GOLDEN STUDY, JOSHUA TREE STUDY

ARTIST BIO

Hi, I’m Leilani Nobuko Derr (she/her), I’m a visual artist and designer in Denver who explores thought-provoking themes through a lens of whimsical multiculturalism and surreal illustration. My work delves into how we use myth and folklore to find place, belonging, and understanding in our modern culture. I draw inspiration from an interweaving of my multi-cultural “hapa” upbringing, relentless curiosity, and power of artist advocacy.

I received my BA at Coastal Carolina University in South Carolina where I specialized in graphic design and printmaking. Since moving to Colorado in 2010, I spent much of my creative career designing in branding agencies and marketing departments for which I've been the recipient of multiple ADDY and SPJ awards. My passion for public art expanded during a decade of work as Creative Lead of Art and Design in Adams County, Colo. public libraries. While working as a designer for the seven branch district north of Denver, I specialized in art direction and helped to launch community art initiatives, partnering with local artists and organizations.

Most recently, I have been focusing on surreal, illustrative multi-media projects exploring my journey to seek belonging and identity as a mixed Japanese-American artist and what manifests when those connections are diminished through assimilation, racism, objectification, and confusion. The saturated hues in my work tend to clash and vibrate next to each other. They are often intentionally ambiguous as a reflection of the vague spaces I often fall between with my cultural and racial identities.

"Alley Couch Study" by Leilani Derr, Digital Illustration, Boulder, CO
Left to right "Off Leash, Early Study, Golden Study, Joshua Tree Study" by Leilani Derr, Digital Illustration, Boulder, CO

HANNIE GOLDGEWICHT

DOUBLE RAINBOW

ARTIST BIO

Hannie was born in San Jose, Costa Rica but also spent part of her childhood in New York. She graduated with honors from the Universidad De Costa Rica with a degree in Fine Arts. Although her major was sculpture she was interested in all mediums, experimenting with ceramics, wood, metal, stone, textiles, mosaic, handmade paper just to mention a few.

Hannie has participated in many collective art shows as well as being accepted into the Costa Rican National “Biennial” on numerous occasions.

Together with her husband Leo Gotlibowski they created “Lugar del Espiral” to combine their talent as artists. They have worked together on many projects. They received high praise for their work for the Costa Rican Pre-Columbian Gold Museum where 8 life size human indigenous sculptures they made are on permanent display. They have recently moved with their son to Los Angeles to embark on a new life and creative career.

"Double Rainbow" by Hannie Goldgewicht, Ceramic and Copper, Los Angeles, CA

CARRIE MAKENNA

SHINING AUTUMN LIGHT

ARTIST BIO

Carrie MaKenna is a professional contemporary fine artist based in Denver, Colorado. With over three decades of experience, her artwork explores the interconnections between people, nature, and the universe.

"Shining Autumn Light" by Carrie Makenna, Mixed Media on Canvas, Lakewood, CO

EMILIA MARKOVICH

TANGLED NARRATIVE I-VIII

ARTIST BIO

Emilia Van Nest Markovich grew up in New York. She studied at Alfred University, and then received her Bachelor of Fine Arts in painting at the University of New Mexico. After moving to Denver, Colorado she obtained her Master of Arts from the University of Northern Colorado. She maintains a studio in Howard, Colorado, where she works on a variety of mono printing, pastel and painting.

Emilia has been an art educator for over 30 years, during which time she received numerous awards for her work and her teaching. She has participated in numerous exhibitions throughout the United States and her work is included in many public, corporate and private collections, including the Colorado Art in Public Spaces Program, University of Colorado, Denver Hospice, Denver’s Children’s Hospital, Swiss Bank, Amoco, Kaiser and the Mc Donald’s Corporation. Galleries in Denver, Boulder, Colorado Springs, Albuquerque and Chicago have represented her work.

ARTIST STATEMENT

My work draws inspiration from nature and the environment. I combine imagery from the organic and man-made world that I then alter and abstract. The exploration of color, line and patterning become important elements in creating a personal narrative. The use of collage is a part of my working practice which centers around constructing meaning through pieces that interact together to create the final work.

The work is made with chalk pastel on black paper, that is worked in layers of color creating a rich texture and surface application. These drawings are recombined together with gold leaf drawings, that symbolize a sense of preciousness, to create a new perspective on space and time, the real and the imagined.

"Tangled Narrative I-VIII" by Emilia Markovich, Pastel and Acrylic on Wood Panel, Howard, CO

TONY ORTEGA

LA CALLE MARIPOSA

ARTIST BIO

​​​​Tony Ortega is a Denver-based visual artist and educator. His work has been exhibited in over 30 solo shows and featured in exhibitions at the Museum of Contemporary Art, Denver, CO, Boulder Museum of Contemporary Art, Colorado Spring Fine Art Center, Harwood Museum, Taos NM, Redline Art Center, Denver and the National Hispanic Cultural Center, Albuquerque, NM. Tony Ortega holds an MFA in drawing and painting from the University of Colorado Boulder and is currently a professor for Regis University. In 2018, he was the Regis College faculty lecture of the year. He was the recipient of the coveted Governor's Award for Excellence in the Arts (1999) and the Mayor's Award for Excellence in the Arts (1998). His work is in the collections of the Denver Art Museum, the Los Angeles County Museum, the Blanton Art Museum, Austin, TX and the Museo Estudio Diego Rivera, Mexico City.

"La Calle Mariposa" by Tony Ortega, Pastel, Denver, CO

ARTIST STATEMENT

Throughout history, artists have responded to social concerns around them with artwork that depicts culture, religion, social injustice, human rights, environmental degradation and political power. Artists have used a variety of media such as: paint, photographs, pastels, sculpture and prints as extensions of their caring hearts and concerned minds to explore the aesthetics of interconnectedness and social responsibility. I believe that there is a relationship between art and social justice. My goal as an artist is to create artworks that are personal and which also express a sense of social responsibility.

As an expressionist, I use distortion and exaggeration for emotional effect. I apply vivid and dynamic mark making, line density and value contrast. I combine flat space with cubical space. My work interweaves the western concepts of perspective, light/shadow, and overlapping of shapes with folk art designs of simplified geometric shape creating a harmonious composition. Merging abstraction, simplification, and realism, I juxtapose and superimpose unlikely images of realism, icons, symbols and fantasy from history and the contemporary world to foster opportunities for the bending of meaning and the warping of time and place.

The collective is the primary focus in all my work. Individuals in my artwork are faceless because they are important only to the extent that they help define the group-the community interacting and participating in its many rituals, social settings, and group functions. My artwork of common everyday life incorporates elements of magical realism; it confronts reality and attempts to untangle it, to understand the mystery of life and human events. Vital is not the creation of imaginary beings or worlds, but rather the discovery of the mysterious relationship between human beings and their circumstances. I do not try to replicate the surrounding reality. Instead, I seize and illuminate the mystery behind things. I attempt to depict not objective reality, but rather the subjective emotions and responses that objects and events arouse in me. Magical realism mashes up, transgresses, reforms and transforms ideas into my magical vision without losing sight of social, political, historical and aesthetic qualities.

Through my work, I offer a multifaceted fiction that incorporates the traditions, history and culture of Latinos. In the postmodern age, my visual language speaks to the issue of international migration, focuses on shifting demographics, draws from pop culture and seeks to present truth at a more local, personal level.

CRAIG ROBB

The Inexhaustible Source of Wonder

ARTIST BIO

It was never my intention to become an artist.
Having two brothers in the arts and watching their struggles, I logically opted out of the field and pursued other endeavors. Seeking a change in my life, I returned to University and happened upon a teacher who saw within me my potential and encouraged it. After much resistance, I succumbed.

Working with students today, they often ask me why I do what I do. I try to offer a dose of reality to them by regaling them with stories of my trials and tribulations as a sculptor and naming all of the reasons as to why not to pursue a career as an artist. But I also clarify this by telling them how art for me has always been about the passion of creation. I am an idealist in as I still believe that through my sculptures I can make a person smile, or to think and that maybe I can influence them to change their ideas or to give them something they will enjoy being around for their whole life.

My true happiness comes when I am in my studio creating.

ARTIST STATEMENT

I have been working on several series of work that are as different as they are similar.
One series was once labeled as metaphorical vistas, a description that I have always liked. Within these sculptures I include houses, chairs, and other objects that, with their inherent symbolism, develop metaphors about issues that are important to me. Many of my ideas stem from a fascination with how things are connected, both literally and figuratively. The combination of wood and curved steel are utilized as both compositional elements and to create spaces for these objects to reside. I have always been interested in how objects function within a given space, how they occupy it and the relationships created with the other objects in that space. Because of the broad range of symbolism, these sculptures can speak on many different levels and to many different people.

The second series can best be expressed as a reappropriation of objects. I have always been intrigued by the found object and it’s history and potential symbolism. Most of these sculptures are made using multiples of the same object and realigned to create something wholly different.

I also, at times, go off on tangents exploring a new material or process. One of my recent departures was a need to see what I could do with light and color. How it works and blends and what were the possibilities within how I create my art.

"The Inexhaustible Source of Wonder" by Craig Robb, Wood, Acrylic and Dictionary Pages, Wheat Ridge, CO
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